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1. |
The Black Flag
04:36
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The Black Flag
I saw the stars on that black flag, flying over me
I was barefoot in this desert, cold sand under my feet
I was swearing at no-one, and turning my rosary
I was trying to understand what was happening to me
I’ve been thirstier than this, in the heart of a bar
I’ve been colder and colder, and colder by far
I’ve walked alone but I’ve never, never been afraid
But I can’t say why it feels like nothing gets heard
Then I saw the lightning up yonder, like a white sign
Saying beloved take care, I’ve got fire on my side
You wanna try and betray me, well I’m gonna find out
Confession and redemption that’s what this is all about
But all I know in this world, is that there’s truth and there’s lies
And we’re all dwelling right here, on the borderline
And if it’s the black flag of heaven, flying over this Hell
Then a sinner like me can be saved as well
I heard a wild dog howling, raging at the moon
Like it was guarding something, more precious than stones
But there’s nothing here that anyone, would want to keep
Just a promise that somewhere else there’s an innocent sleep
But I’ll be cursed from here, to my dying day
‘Cause I believed the Devil, and what he had to say
That faith was a rock, and if I walked a barefoot mile
I could find it again, that I’d be reconciled
Now I’m left standing here, on the bloodstained ground
I’ve got a smile as narrow as twilight, and sand in my wounds
There’s blood like water, but nothing’s gonna grow
‘Cause no-one here is ever gonna reap, what they sow
And if the flag hung heavy, and the stars all fell
There’d be nothing new under heaven, or over Hell
And if we’re all lost, well some of us are free
The black flag, the desert, the dog and me
The black flag, the desert, the dog and me
The black flag, the desert, the dog and me
The black flag
© The Black Flag words & music by Thomas Yule Fairnie 31st January 2002
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2. |
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Everybody’s Got To Learn To Dance
See the girl in the black dress
And the boy by her side
He’s followed her around the room
With his eyes
He puts his hand on her lower back
For a dance
He makes his move; he takes his chance
Everybody’s got to learn to dance
Everybody’s got to take a chance
Everybody’s got to know the tune
Everybody’s got to make their move, make their move
He tries to find a winning phrase
To make her smile
Misses every opportunity
By a mile
She just wants this shy young man
To hold her hand
To make his move; to take a chance
Everybody’s got to learn to dance...
She asks him if he knows her name
He whispers yes
He wants to tell her everything
He wants to confess
How much he’d love to touch the skin
Beneath her dress
To make his move; to take the chance
Everybody’s got to learn to dance...
The game runs at its own pace
The music fast or slow
The heart beats to its own drum
Loves metronome
But we’ve all got to learn the steps
To that first dance
To make our move; to take our chance
Everybody’s got to learn to dance...
© Everybody’s Got To Learn To Dance words & music by Thomas Yule Fairnie 1.9.01
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3. |
The Aleph
03:11
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The Aleph (with acknowledgement to Jorge Luis Borges)
Heard my name in the pouring rain
Stood and watched it running down the drain
Held my breath on the Bridge of Sighs
Called an echo but it came back lies
Saw the marble on a step in Rome
The strangest things can take you back home
I lost my way in that blinding light
But I found my way to you tonight
Found my way to you tonight
I heard a prayer like a dog in pain
Swam a river in a desert plain
Stayed the night in a palace once
Stayed the night in a palace twice
Stayed the night in a Spanish town
Swam in the sea but I could not drown
Made the guest at a wedding feast
A bride in white and a bloody sheet
Played some cards one night in France
Learned to drink and how to take a chance
I lost my way in that blinding light
But I found my way to you tonight
Found my way to you tonight
Blood and water, tears and wine
Memories take more than time
They take the heart of yesterday
And friends and lovers fade away
But I wonder if they
Stay young in photographs
Stay young in old photographs
I’ve walked down roads walked by Saint Paul
The Virgin Mary and no one at all
Played guitar like a Rolling Stone
Been invited to an African throne
Saw a woman and a dying child there
Some of the past is so hard to bear
I lost my way in that blinding light
But I found my way to you tonight
Found my way to you tonight
Blood and water, tears and wine...
I’ve met the son of an African slave
Stood in silence at a soldiers grave
Saw the light die on a battlefield
Saw the truth where it was concealed
Held you close in a foreign bed
I made a promise but I never said
And the wisest man that I ever met
Said don’t remember what you can’t forget
Don’t remember what you can’t forget
Don’t remember what you can’t forget
© The Aleph music by Thomas Yule Fairnie, words by Thomas Yule Fairnie & Robert McGregor Shields March 2001
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4. |
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In The Turning Of Our Time
In the turning of our time
If I could see you when the snow lies
Down by willow bank and burn side
I would taste you as the snow melts on my tongue
In the turning of our time
Or in the scented breath of sweet spring
‘midst the primrose and the columbine
I would bind you as the blood unto the thorn
In the turning of our time
And if our time could turn again
If our time could turn again
Turn the stars to salt and sand
Turn them back by heaven’s hand
Turn the raven into dove
Turn this longing into love
In the turning of our time
If I could hear you in the ash grove
Where mavis song and leaves lie
Loving words would find a pure and nameless voice
In the turning of our time
Or I might hold you as the day ends
Curved within its slow and falling line
A river stretching free from icy winter’s sleep
In the turning of our time
And if our time could turn again
If our time could turn again
Turn the stars to salt and sand
Turn them back by heaven’s hand
Turn the raven into dove
Turn this longing into love
In the turning of our time
In the turning of our time
© In The Turning Of Our Time words & music by Thomas Yule Fairnie, Robert McGregor Shields & Martin Boland January 2002
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5. |
Wild Geese
02:40
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This is a song about a woman
I met her in the old by and by
Me and her in that bar room
It was a dangerous mix of tequila and rye
And I wish I’d known back then
About all the lives I was gonna wreck
I’d be in some kind of state of grace
Instead of sitting here trying to forget
Well, you know, she wasn’t so pretty
And I didn’t think she’d mean that much to me
But I knew she was somebody’s darlin’
She’s be someone’s best memory
So this is a song for her
And for that night we met
She had a rose tattoo on her thigh
Lord, do I regret
Note: with acknowledgement to Robert McGregor Shields
LYRICS
Wild Geese
I love you my loving darling
Forgive me for what I’ve done
I’ve done wrong once too often
Now I’ve lost what I had found
I lost the name I was given
Paid the price for my crime
Now I’m just another number
Doing ten in a twelve by nine
Take my heart now it’s broken
Lost my sweetheart divine
It was my one, my one and only temptation
I had water but I wanted wine
I close my eyes and we’re together
I can taste the morning dew
I hear bird’s call and responding
Can you hear me calling you?
I remember late one evening
As the sky was growing dark
I saw wild geese on the river
Taking flight and heading north
Take my heart now it’s broken
Lost my sweetheart divine
It was my one, my one and only temptation
I had water but I wanted wine
© Wild Geese words & music by Thomas Yule Fairnie 2000
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6. |
The Harbour At Symi
04:10
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The Harbour At Symi
Sail in the morning
On the warm sea
Out of the harbour
Come sail with me
Come sail with me in the morning on the warm sea
Out of the harbour
Symi
Swim in the water
Come swim with me
Mansion houses
Overlooking the sea
Come swim with me in the warm Aegean Sea
In the harbour
Symi
Building boats, sailing the sea
Calling me home, calling to me
Symi
The sun like honey
Golden over me
Turns to amber
On a still blue sea
Sun like honey, turning to amber on the sea
In the harbour
Symi
Building boats, sailing the sea
Calling me home, calling to me
Symi
Stars like windows
In a mansion house
The water still
In the harbour mouth
Windows like stars in the still dark sea
In the harbour
Symi
© The Harbour At Symi music by Thomas Yule Fairnie words by Tom & Jane Fairnie April 2002
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7. |
My Little Radio
02:37
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My Little Radio
I’ve got a little radio
Plays a little zydeco
A little fiddle then an old banjo
On my little radio
I got a little radio
Bakelite and a little red glow
It’s never gonna fadeo
Not my little radio
My little radio’s coming in loud and clear
My little radio’s all I want to hear
My little radio plays all night long
My little radio sings this little song
I got a little radio
Grand Ol’ Opry Show
On the waves from RKO
To my little radio
I’ve got a little radio
Townes and Country Joe
Hank Williams through the snow
On my little radio
My little radio’s coming in loud and clear…
I’ve got a little radio
Juliet to my Romeo
Sweetheart of the rodeo
She’s my little radio
I’ve got a little radio
Sunshine studio
All the way from Tupelo
To my little radio
My little radio’s coming in loud and clear…
© My Little Radio music by Thomas Yule Fairnie words by Thomas Yule Fairnie & Robert McGregor Shields 28th August 2003
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8. |
The Journeyman
05:08
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The Journeyman
I’ve got no dreams and no descendants
I just am what I am
I’ve got no dependants
I’m a solitary man
And though I value my independence
I keep all the friends I can
‘Cause every single road’s a penance
To a journeyman
But Jesus was a working man
You try to do the best you can
And do something good as well
Drink a little wine sometimes
Go out with the guys
Spend some time in jail
Get a kiss and go to jail
Then you see the sky one night
You watch the stars collide
In the west, in the west
In the west, in the west
I’ve had friends that tried to love me
And lovers I’ve barely known
I’ve been familiar with plenty
Nearly been close to some
Oh but I envy you now baby
With your momma to keep you warm
On this cold and rainy highway
I just want my daddy to take me home
But Jesus was a working man...
That sky is black with thunder
And the thunder’s black as stone
This cathedral roof I’m under
Was built by a journeyman
All the way from over yonder
To the cold west and beyond
But if I fell at this altar
I know he’d take me home
But Jesus was a working man...
© The Journeyman words & music by Thomas Yule Fairnie August 2002
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9. |
Dust On Dust
03:47
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Dust On Dust
In the corner of the graveyard
Where blind priests hide their wine
The coldest of the angels
Cries tears of turpentine
And gives a compass reading
Which no one will believe
They’ve got no faith in science
And all it can conceive
And in a corridor in the distance
Where the dirt lies in decay
It gathers and remembers
A dustbowl far away
And a wind that came from God’s mouth
And through a Preacher's eye
To where tables beat out double-deals
And beds creak to deny
And at the edge of every silence
Where the sea takes its last breath
In the moment of its stillness
You can hear the sound of death
But it's just an echo from the past
And Sinbad knew its name
It's curled inside your footprint
And it was whispered once in shame
And for every shard of glass
That cuts us to our bone
A stained and broken window
Leaves Sebastian on his own
With arrowheads and bleeding
Red dust across the floor
To a saint in silence meeting
With a blonde behind the door
And from her mouth to the cradle
And then across her breast
Her lover's making crosses
Their union has been blessed
Upon a bed of ashes
They’re lying in disgrace
Ashamed for eating apples
But exalted by the taste
But like some kind of circus
And like some kind of fool
The beast is being tamed
By a whip and by a stool
And then the world returns to ashes
The same as it always was
When no one dreamed that chaos
Was gonna be the cause
But if the order came for everyone
To draw that fatal breath
At the moment when the sea was still
And holding on to death
He was courting that cold angel
And kissing her white lips
Sebastian was drawing blood
With just his fingertips
And there would be a cloud of anger
To come and fill the void
A vacuum of disbelief
Conceived by Doctor Freud
And the case for uncertainty
Would be proved beyond a doubt
And Schrödinger’s little cat
Would finally be let out...yeah
© Dust On Dust words & music by Thomas Yule Fairnie 9thApril 2001
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10. |
Rolling Home
03:37
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Rolling Home
From Fisherrow to the Neuk o’ Fife
Fishermen and fisherwives
All depend upon the silvery shoals
To turn silver into gold
Silver into gold
On the cold November sea
Sailing round the Isle o’ May
Where the silver herrin’ go
To turn silver into gold
Silver into gold
So set the course and set the sail
Look for the Dog Star to trail
Catch a rolling tide home
The winds will take you there
The waves know just where
There’s a rolling tide home
Rolling home
In the mussel beds on the back sands
In the salt water wi’ calloused hands
They fill the creels ti’overflow
In auld Fisherrow
Auld Fisherrow
And fishwives aye ca’ their men
For being faithless ower again
But their hearts aye ebb and flow
Tae auld Fisherrow
Auld Fisherrow
So set the course and set the sail...
A Newhaven bride wrapped in her shawl
Waves the men folk away to trawl
The herrin’ harvest from the sea
Tae bring tae yon quay
Tae bring tae yon quay
And on the sea they’re all your friends
The winds, the waves and the fishermen
But the best friend in all the sea
Will bring you to yon quay
Bring you tae yon quay
So set the course and set the sail...
© Rolling Home words & music by Thomas Yule Fairnie 1969 & November 2001
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11. |
Fall Alone
03:02
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Fall Alone
I think I might forget your name babe
If I could just recall a trace
Of the plan I misconceived babe
A memory without a face
In the footsteps of our parting
And in the silence of our lies
Broken sand maps our footprints
Under the bruise of tortured skies
A stone can skip on the water
Water can wear down stone
You can cry as much as you want to
But your tears will always fall alone
And in the taste of spindrift darkness
Broken bones are blown ashore
To be shaped again by moonlight
Into the word that went before
I may never walk that shoreline
Pebble, stone, sand and reed
Do you remember the taste at all babe
Of a second birth and a salty seed
A stone can skip on the water…
Like the memory of an ocean
A distant maelstrom grinding sand
Turning me in that whirlwind
Into the dust of another man
Then I turned back towards town babe
So much smaller I recall
I heard the tide that was your heartbeat
In that midnight water fall
A stone can skip on the water…
© Fall Alone music by Thomas Yule Fairnie, words by Thomas Yule Fairnie & Robert McGregor Shields March 2002
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12. |
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When It Gets This Late In The Evening
When it gets this late in the evening
And you wonder how it got this dark
It’s cracked blue and your glass is empty
Just a whisper of bourbon and ash
The room is quiet as Sunday
And cold as a father’s curse
When it gets this late in the evening
And there’s a rumour it might get worse
When it gets this late in the evening
And the drinks are getting low
Your friends, well they’re all leaving
They got somewhere else to go
You’ve spent the whole night standing
At the dark end of the street
But when it gets this late in the evening
There’s no one left to meet
You’ve sang your last blue song
Your voice gave up its ghost
So you whisper like a deathbed confession
And say goodnight to the host
You just need something to believe in
Someone to be a friend
‘Cause when it gets this late in the evening
Just want to make it to the end
When it gets this late in the evening
You wonder how it got this wrong
Was it the crack in the glass
The bourbon or the ash
Or the minor chords in the song
Or the minor chords in the song
There are lovers in the darkness
And they’d let you take it all
For just a moment without sadness
They’re crying down the hall
There’s a Bible you’ve been reading
And there’s a bottle by the bed
When it gets this late in the evening
You’re blowing smoke rings for the dead
© When It Gets This Late In The Evening words & music by Thomas Yule Fairnie 26th March 2003
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Tom Fairnie Edinburgh, UK
I live in Edinburgh and I'm a singer songwriter. My style of writing cuts across Americana, folk, country and blues and I try to write melodic, accessible songs that make the best use of my guitar skills to provide sensitive uncluttered arrangements.
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